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Vol 30 No 3 Autumn 1993

COMMENTARY

SYNTHETIC SYNTHESES: COLLABORATIONS BETWEEN ARTISTS AND ARCHITECTS by Nicholas Baume p. 326

TAXIDERMISTS, MUSICIANS, SHEPHERDS: JOAN KERR'S DICTIONARY OF AUSTRALIAN ARTISTS REVIEWED by Dinah Dysart p. 329

IMAGING THE PACIFIC: BERNARD SMITH'S IMAGINING THE PACIFIC REVIEWED by Oskar Spate p. 330

SYDNEY REPORT: SYDNEY ART (AND REAL ESTATE) by Felicity Fenner p. 332

PERTH REPORT: ARX AND THE CRAFT TRIENNIAL 1992 by Ted Snell p. 334

PRINT FORUM: CLAUDE FLIGHT AND THE COLOUR LINOCUT MOVEMENT by Hendrik Kolenberg p. 390

ART MARKET: AN ILL WIND THAT BLOWS NO GOOD by Terry Ingram p. 392

TRIBUTES

JOYCE ALLEN by Pam Debenham p. 335

PAUL TAYLOR by Nick Waterlow p. 336

MARJORIE BELL by Sam Ure-Smith

ESSAYS

THE ART OF VIVIENNE BINNS by Joan Kerr p. 337

PETER CRIPPS: QUESTIONS OF MEANINGS by John Barrett-Lennard p. 346

WHAT IS A GOOD REPUTATION WORTH? CHANGING DEFINITIONS OF THE ARTIST by Annette Van Den Bosch p. 355

LOST IN THE MIX: THE GENERAL AND THE PARTICULAR IN THE ART OF JOHN YOUNG by Rex Butler p. 364

TRADING IMAGE: ART AT THE 'ASIA' JUNCTION by Annette Hamilton p. 370

ASIAN ART IN AUSTRALIA: ONE HUNDRED AND FIFTY YEARS OF EXHIBITIONS, CONNOISSEURS AND COLLECTIONS by Darryl Collins p. 378

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