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Vol 30 No 1 Spring 1992

SPECIAL ISSUE: EROTICISM

COMMENTARY

THE ART OF SEDUCTION: RUBENS AND THE ITALIAN RENAISSANCE by Alan Krell p. 37

CLOSE TO THE BONE: THE AUTOBIOGRAPHY OF VICKI MYERS by Joe Airo-Farulla p. 41

REACHING A NEW AUDIENCE: ARTS POLICY CHANGE IN QUEENSLAND by Stephen Rainbird p. 44

ART AT THE ADELAIDE FESTIVAL by Daniel Thomas p. 46

PRINT FORUM by Warwick Adler p. 96

ART MARKET by Terry Ingram p. 98

TRIBUTES

JACK MANTON by Bettina MacAulay p. 49

GARRY ANDERSON by Digby Hyles p. 49

ESSAYS

EROTICISM AND SEXUAL IMAGERY IN AUSTRALIAN ART by Dinah Dysart p. 50

THE ARTIST AS LADY-KILLER: A GLANCE AT EROTICA AND THE NUDE IN THE COLONIAL PERIOD by Jane Lennon p. 54

INTERPRETING EROTICISM by Peter Timms p. 60

DEATH AND EROTICISM IN THE ANZAC LEGEND by Leigh Astbury p. 67

THE STRIPPED RATHER THAN THE TEASED: RICHARD LARTER AND EROTICISM by Joanna Mendelssohn p. 75

SHE'S AS FINE AS FINE CAN BE: MIKE BROWN'S MARY-LOU, 1961-1964 by Richard Haese p. 80

SEXUALITY IN THE WORK OF SIX CONTEMPORARY WOMEN PAINTERS by Felicity Fenner p. 86

THE SACRED AND THE PROFANE: EROTICISM AND MYSTICISM IN THE ART OF DALE FRANK by Jane Magon p. 92

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