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Vol 31 No 2 Summer 1993

COMMENTARY

WORLD ART FARM: THE 45TH VENICE BIENNALE by Jonathon Turner p. 175

OF HIS BONES ARE CORAL MADE: THE BEA MADDOCK RETROSPECTIVE by Martin Terry p. 178

THE ABORIGINAL ART MOVEMENT: WALLY CARUANA'S LANDMARK BOOK by Vivien Johnson p. 180

BLEAK CITY: MELBOURNE REPORT by Charles Green p. 184

WINTER'S TALE: PERTH REPORT by Ted Snell p. 187

ARTIST-RUN ALTERNATIVES: ADELAIDE REPORT by Ken Bolton p. 189

PRINT FORUM: THE ART OF PETR HEREL by Elizabeth Cross p. 232

ART MARKET: BLACK MARKET by Terry Ingram p. 234

TRIBUTES

PAUL BEADLE by Gil Docking p. 191

ESSAYS

DICK WATKINS: THE EIGHTIES AND AFTER by Ingrid Periz p. 192

DESIGNING WOMEN: MODERNISM IN ART IN AUSTRALIA AND THE HOME by Caroline Jordan p. 200

GULF WAR ART: HOW THE AUSTRALIAN WAR MEMORIAL REPRESENTED THE WAR by Anne Gray p. 208

POSITIONING THE POST-COLONIAL SUBJECT: HISTORY AND MEMORY IN THE ART OF GORDON BENNETT by Jeanette Hoorn p. 216

COMING UP: THE LOWDOWN ART OF MIKALA DWYER by Felicity Fenner p. 227

REVIEWS

Geoffrey Batchen on Bill Henson p. 282

Thomas Shapcott on the Charles Blackman retrospective p. 283

Brenda Croft on Yarnangu Ngaanya p. 284

Martin Harrison on two Ian Burn shows p. 285

John Conomos on Tracey Moffatt's first feature film p. 286

BOOK REVIEW

SMITH ON SMITH ON COUNIHAN: TERRY SMITH REVIEWS BERNARD SMITH'S BOOK ON NOEL COUNIHAN by Terry Smith p. 182

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