back issue

Before &After Science: 2010 Adelaide Biennial of Australian Art

Things of stone and rock: A field trip through contemporary art by Charlotte Day

Trapping time: Tacita Dean in conversation with Sarah Tutton

Krapp's bugle: John Barbour and the art of the impossible by Ian North

Benjamin Armstrong's world of holding everything dear by Alexis Wright

Hany Armanious: Compulsive beauty by Francesco Stocchi

Diena Georgetti: Pleasure and comfort by Rob McKenzie

Contributors

Remapping a contemporary Athens by Marina Fokidis

Cool runnings: A short history of Auckland ARIs by Tessa Laird

Nature as culture: Olafur Eliasson and the idea of a contemporary sublime by Michael Fitzgerald

Letter from Wombat Studio by Stephen Eastaugh

The contemporary art of war: Jon Cattapan, Lyndell Brown and Charles Green by Dr Peter Hill

Domesticating art: The hybridised form of Melbournes Lyon Housemuseum by Michael Fitzgerald

Tributes: Nick Waterlow by Edmund Capon; D. R. Nakamarra by Hetti Perkins; Fred Cress by Sasha Grishin; Sue Ford by Isobel Crombie; Emil Goh by Aaron Seeto; Wamud Namok by Brenda L. Croft

The Art &Australia Contemporary Art Award: Looking back to the future by Eleonora Triguboff

Cubism &Australian Art by Patrick McCaughey

The 6th Asia-Pacific Triennial of Contemporary Art by Andrew Maerkle

Zhongjian: Midway by Souchou Yao

Edge of Elsewhere by Reuben Keehan

Len Lye reviewed by Dylan Rainforth

Source: Natures Healing Role in Art and Writing reviewed by Nicholas Croggon

A Singular Voice reviewed by Laura Murray Cree

Andrew Rogers: Geoglyphs, Rhythms of Life reviewed by Talia Linz

'Len Lye: An Artist in Perpetual Motion' reviewed by Rachael Watts

'The Shades' by Matt Coyle

Peter Madden by Talia Linz